voltara

2002-05-16T07:17:00.000-07:00

GESTURE

As the body coils into a fetal position it forms a gesture, which has vector components in three directions.
The energy of time is released to the Real Self, a fractal of the absolute.
The direction of the electric and magnetic fields reverse.

When the body uncoils, straightens and arches backwards energy is released into the idea, which is being expressed. The world is being created.

Tension in the body indicates deviation from the original idea. Relaxation shows that one has returned to the path.

Oscillation between what is planned and what is desired creates a bipolar state in which the actor is flipping back and forth between life-death states and is thus unable to DO.

The actor and Doer are bound together and nailed to a cross, trapped in an eternal union. Little by little the Doer begins to extract energy from the play and accumulate it. This is at first a subconscious action, but at some point, He realizes that He can consciously draw the time energy from the tensions as they manifest in the body and use them to build a reservoir from which He can draw the energy to DO.

When the Doer and the actor have both become aware of the Real World, they must take on separate gestures. The actor assumes a gesture, which will create the play desired by the Doer. The Doer assumes a gesture, which feeds energy in to support the action. The actor is frozen in a pose in which he is the witness consciousness for the play. The Doer has now entered the play and is guided by the observations of the Witness.

In geometrical forms we have moved from two spirals, joined at their vertexes to a state in which one spiral has descended and the other has ascended generating the cross-sectional form of Solomon’s
Seal. One spiral is now drawing in creation substance while the other is imprinting it with the idea to be expressed and then releasing it on the stage.

2002-04-22T09:53:00.000-07:00
"Now we see through a glass, darkly; then we shall see
face to face.”
The only sensory system, which can see the creator face-to-face, is the sensory system of the creator.
If the sensory system of our false personality stands as a veil between the fire and its perceiver, then ignorance is projected onto the stage.
We are admonished to get thee behind me Satan [or ignorance, or false personality]. In truth this would place the sensory centers of our false personality in a position of witnessing the flow of impressions from Real I. In this position we witness the absolute as the author and actor in a play, which is seen with direct perception.

2002-04-15T21:08:00.000-07:00
The approach of Gurdjieff was to give the mind so many symbols that it was forced to face the fire and let all the veils burn away. Ouspensky left us a tree to hang all the the mind's constructions on and to give duration to concepts using extraordinary attention. In both cases the sleeper is frozen in a gesture waiting for all and everything to sink in. The movements were introduced to break up the ordinary gesture and allow the sleeper to awake. The resistance to this just heats up the 3 centers and introduces chaos. When the fire burns too hot there needs to be cooling. My solution, right or wrong or .... is to expand awareness to an infinite container for the fire. Expansion cools so our furnace can run all the time without spoiling the pottery. Two attentions working simultaneously. First on the point from which the fire lases into our awareness and secondly on the sphere which contains and cools. Cremate false personality in a refrigerator and you don't have to put out fires continuously!!!!!!!

2002-04-15T08:33:00.000-07:00
It appears to me that what would help clear out the rubbish or from another point of view the unrealized truth is to look at what engages our attention as the fire, which catches our attention and holds it frozen in a gesture locked in one or all three of our centers. Time stops as does motion and we are forced to observe. Impressions come in to balance dipoles of love-hate, hot-cold, etc. Until there is balance we are trapped in a gesture facing one end of a dipole and with the ability to clap with only one hand. Without the union of opposites we will remain frozen and asleep.

2002-03-30T07:20:00.000-08:00
communication words: [mine!]

creator releases all parts of himself on the stage
love for the creator becomes the creator's understanding of himself through the eyes of the players.
evil becomes ignorance or the creator's lack of recognition of his reflection in the mirror.

effort, suffering, and payment are all a result of the creator slowly becoming. They are experienced by the part of us that is trying to understand. When the creator in us suffers to greatly then a play within a play is produced.

2002-03-28T05:38:00.000-08:00
Always one word to hold the key. PURSUE. What we are pursuing is within in the direction of slowness and refinement. It recedes from our attention and awareness as we pursue it. What we are pursuing is always right here. We are facing away from it. If it were otherwise we would catch more glimpses. Our nets are too coarse to catch that which we endlessly pursue. Even if we got close enough, how could we expect to catch being in a net set to catch words?
voltara

2002-03-27T20:50:00.000-08:00
BREAD –wheat - body – flesh – wisdom – masculine – light of the sun

WINE – grapes – feminine principle – blood – love – heat of the sun

SOLAR LEVEL – FLESH AND BLOOD OF CHRIST

COSMIC LEVEL – LIGHT AND HEAT OF THE SUN

SPIRITUAL PLANE – WISDOM AND LOVE

'Those who eat my flesh - wisdom - and drink my blood - love - have eternal life'."

aivanhov

2002-03-26T15:23:00.000-08:00
Fireman & Mermaid part 2
Beginning with the cast of characters and interested parties we have:

1. The fireman who has a fairly obvious role in the dream as he goes around saving things, such as damsels in distress that are surrounded with fire and smoke. The archetype is suggested of a descent into the fire of Hell to rescue unrealized projections of the mind and carry them to reality. In this case there is the confusion of a damsel from the element of water mixed with the element of fire. Hmmm!

2. The mermaid who is expected to be found in an ocean of diluted salt is now found in distress, requiring the assistance of a fireman. This would suggest the song of the walrus and the carpenter as they mused on “why the sea is boiling hot and whether pigs have wings.” If the sea is boiling hot, then fire is likely to be involved and the assistance of a fireman could come in handy. If the sea were to evaporate her world she would find herself in the same dilemma as Lot’s wife who was frozen in salt as she looked too long at the fire behind her in the world, from which she had just fled.

Now, back to our story. The fireman, who lives in this world, has lost his true love, a mermaid who exists within the fireman’s world but lives in the world beyond the looking glass. The mermaid find herself in a sea, which has become boiling hot and finds that she must leave her world and her immortality and descend into a body of flesh where she can reunite with her savior and release the hand concealed in the image of one hand clapping. The marriage of the inhabitants of these two worlds forms the basis for the real self to be able to act.

Stepping back through the mirror for a moment to look for firemen, out steps Dylan Thomas and his solution for fire.
voltara

2002-03-26T15:17:00.000-08:00
Are thoughts moving? Isn't it we who are stopping for a closer look?
Since the mind jumps from point to point, gathering pieces of the puzzle, what is needed is a new way of expanding the puzzle by gathering pieces from what is not yet known rather than continually adding pieces collected in the past. Attention best serves this operation.

Attention on what is a good place to look. If one concentrates on gibberish [sound of one hand clapping or twas brillig and the slithy toves] and listens carefully, the mind and normal stream of thoughts slows and stops
and just there .. is the lurking piece of a newly created vista in our puzzle.

Another place where light leaks into our world is in the exchanges between forum members in which two violently opposing views form a resistance to each other. Two languages defending themselves with finite words that mean nothing in the others world. Each foe has collected impressions from different sources on the same concept. Attention to this play within a play evokes related thoughts that appear as a couple of words that are most often allowed to pass by unnoticed. Of what do they remind you ?

Bhagavad Gita, Krishna and Arjuna, Sound and fury signifying no-thing, re-cognition, music of the night, Dune, fremen, vampires, fire, water, ears, Caesar, Hamlet's father, Listen to the dark, out of ignorance come the seeds of truth, and so on. All the impressions flowing through the field of your attention contain the pieces, which when assembled display truth and not the shadows on the walls of Plato's cave.
voltara

2002-03-26T09:40:00.000-08:00
TRINITY

Father-Son-Holy Spirit
Father in heaven
Where is Mother of all?
In Earth?
Is the seed, too, in earth?

Looking at life as opposed to its opposite pole, existence, I find myself
right next to a solution to this dilemma. Life emanates from a point within
this world. Existence is above this and not below. The absolute has already experienced the light and is ready to create from a point within the darkness if only we can find it.

I'm now looking at a second trinity: Mother - daughter - Holy Spirit. Without this trinity, where is the bride for the Son? It is the daughter who will supply the second hand for the One-handed Son who claps in silence.

voltara

2002-03-10T09:55:00.000-08:00
part 1
THE FIREMAN AND THE MERMAID

I wonder where this story is coming from. It certainly isn’t the story one would expect to be issuing from experiences gained in the physical world. It would appear to have elements issuing from both sides of the looking glass. The rational mind is stopped so that real attention can take over and construct the play, which at present has a hand in two worlds. The inhabitants of both worlds are unable to write this play without input from both. To illustrate the inner process that can unwrap this wonderful surprise, I must take apart the play, which as yet doesn’t even exist and lay its bones on the table.
voltara

2002-03-04T15:54:00.000-08:00
obviously we have been notice and etherograms are arriving addressed to whomever. This is the first and if you find it messing with the mind of your false personality you are listening.
Beautiful box etherogram

As my friend and I walked into this room, there sat on a table, a beautiful box all hand engraved in flowers, elephants and birds. It was the most beautiful box I have ever seen. Whoever had engraved this box must have known what beauty was all about. It had a small drawer in the front and an empty hole next to it.

As we kept walking back and forth in front of this box, my friend said, let’s see what is in the drawer, since there is nothing on the other side, there must surely be something in the drawer.

So, looking around and finding no one in sight, we decided to open the drawer. As my friend opened the drawer, we both looked in and what did we see?

Nothing, the drawer was empty!

soltara-antra-Marian

2002-02-26T15:51:00.000-08:00
started Julius Caesar today and in the first Act I was impressed by reference to inner and outer mirrors. Also concerns with the senses and the attention of the senses. Caesar appears to be deaf to the world as in:

Come on my right hand, for this ear is deaf,
And tell me truly what thou think'st of him.

CAESAR
Who is it in the press that calls on me?
I hear a tongue, shriller than all the music,
Cry 'Caesar!' Speak; Caesar is turn'd to hear.

Soothsayer
Beware the ides of March.

What immediately strikes me is Caesar's deafness in the ear which is listening to the mundane world. Does he hear the higher voice that leads him to his destiny?
voltara

2002-02-26T15:10:00.000-08:00
Hamlet in my extremely condensed view is a play showing the results of listening with the ears to limited ideas and agendas, and not through them, to higher sources.
voltara

2002-02-26T15:06:00.000-08:00
having just finished 12th night, my condensed impression is one of a group of players who are playing roles that are confusing to all the other players. iIt is only when they are forced to come clean by circumstances, that they reveal their true natures and feelings and elicit honest responses. The reader is allowed an overview and can see all the way that subterfuge gets little results.
voltara

2002-02-23T09:37:00.000-08:00
The energy goes where attention directs.
If the self, we observe, is seated at the right hand of the absolute, then we give it the energy to complete the mission of finding the companion to take her place at the left hand of the absolute enabling the absolute who cannot clap with only one hand to "DO," with both hands what he can never accomplish with one.
voltara

2002-02-20T07:35:00.000-08:00
As actors on the stage we are merely players. We play out our lines within the roles we are given and then from the point of view of the objective witness we use attention to discern meaning. Within the play we are not allowed to discard lines or characters. If we do the author cries foul and the scene is started anew.

As the audience we are still unable to change the play we are viewing. We can boo, hiss or clap, which will affect the critic but the play goes on. If we leave to rest or look for the loo the play is still there on our return. After all, the play’s the thing.

If it is a long running play and just doesn’t bomb out, then the critics and audience tweak new lines and fresh scenes from the author that can be displayed in the 12th nite. [Where did that come from?] I know, it is the author of my play trying to get my attention. I’ll have to save that and unwrap it at teatime. Perhaps the mad hatter will be able to shed light on this!
voltara

2002-02-19T12:04:00.000-08:00
The energy, generated by this little play within a play, was enough to
launch a new book I'm writing, which takes the spirits in water through a
journey back to their source and out into creation. It needed your and C's
resistance to freeze me into a gesture facing the fire and water long enough
to burn away the stone into molten lava, cooled by water, crystallized in
salt like Lot's wife long enough for tears to wash away the salt revealing
the message.
voltara

2002-02-18T06:14:00.000-08:00
Because the chaos is hidden by the darkness in which we exist we need the
light bearer to illuminate it. Beelzebub doesn't bring chaos he just brings
the torch which illuminates. We are already acting on the chaos brought by
the ghosts of the past because we look to wisdom brought by the ghosts of
the past which can drive us like Hamlet, to madness and to acts, whose
repercussions echo through eternity. Finite teachings appear in words
carrying truth and chaos.
voltara

2002-02-17T12:52:00.000-08:00
This appears to me as a play within a play with the script moderated externally.
Alchent, or whoever he appears to be or not to be, [is that a question?] is listening and reporting from some unknown realm, which keeps expanding into less detail and more concept. The actor, who speaks language of these unexplored realms, sometimes speaks in language of the past and sometimes in a language now as yet shaky in the voice of what has yet to be.
Sometimes we listen to those long gone from the stage, whose tongues have been cleansed by time. Those who have recently entered purgatory still speak with forked tongues, impelling those who hear to mischief.
The speaker, yet unborn cries out for new lines to please the ear.
Sense and non-sense; do we listen to the world as seen WITH our senses that are subject to desire and identification, or peer THROUGH the senses at a world so new that it can scarcely be expressed in one line of one scene in the ongoing saga of whatever is happening.
voltara

2002-02-17T05:45:00.000-08:00
At the moment of birth there is one huge in-breath. At the moment of death there is one huge out-breath. A good exercise is to breathe in until you just begin to feel resistance. then a little more and a little more. Just where the breath stops and the blood breathes its memories into the out-breath, in one gasp you are between worlds. If you are thinking about no-thing, then you will manifest ideas from higher realms that are not peopled by ghosts of the past. When those higher ideas come in on the stage on your in-breath, everything is new.
voltara

2002-02-11T12:18:00.000-08:00
Receptivity to the ones, who bring light into our world has usually been misinterpreted. My main concern has been, the plight of poor Medusa. From her appearance of pure beauty, she enters our world and is considered a curse, when in reality she is a blessing. Looking on her face we see only that in us, which turns us to stone and freezes us in time, until in that frozen gesture we are able to see through eyes instead of with eyes. When we are able to see through our eyes we will see within her celestial radiance the Medusa within the gaze.
voltara

2002-02-09T11:06:00.000-08:00
THE NATURE OF TIME

Ignorance is placed in time and given the duration believed necessary to illuminate the manuscript, or the bones on which is inscribed truth. In time ignorance is provided with a gatekeeper who is to illuminate ignorance from all angles in order to get a view of the whole puzzle. Ignorance, or dark matter of time, is attached to the journeyer, who at first sees its projection as a dream and finally face to face. As long as the journeyer carries Medusa’s head in his bag of tricks, he will continue to display it to ignorance, freezing it in ice or stone, in a gesture, forever facing the light of truth. Frozen ignorance forced into a gesture facing truth; if frozen in stone will be sculpted by the sands of duration. If ignorance is frozen in ice, it will be sculpted in fire. If ignorance is frozen in a pillar of salt, the rain from without will slowly wash away the veils, letting in the external light. Witnessing the eternal light through clearing eyes, the journeyer and torchbearer weeps tears for the plight of his father and these tears wash away the remaining salt, which has crystallized the eyes into an eternal gesture, and the sleeper within gazes out through eyes, clear of ignorance. As long as the senses remain clouded by the ignorance of time, so long will the witness within, lay dreaming.

2002-02-06T19:06:00.000-08:00
The desires of the senses are looking for ultimate and lack of experience to form a dipole.
What is the transcendent experience, which will calm this desire? There must be a higher food that will end desire for lower food. When desire, reaching for perfection, witnesses it's goal, all existence of form disappears and the dark energy of time is withdrawn to form the earth that will nurture the seed of all experience. In the darkness the seed rests waitng for birth. When light penetrates the seed, after the seed has awakened receptivity or free will, it bursts it's shell and again enters time using the light within to project a new play.
voltara

2002-02-04T15:27:00.000-08:00
If the attention is placed on a thing that exists then you remain separate from the target. If your attention is on all and everything then you are including yourself in the target and when release occurs the arrow will fly directly at Self.
voltara

2002-02-03T17:36:00.000-08:00
Our work as I see it is to:
1. become aware of the giver of light
2. become aware of the lightbearers.
3. learn to receive the light.
4. learn to bear the light into the world.
5. see where light is needed.
6. teach the dark to see the light.
7. pass on the torch.

voltara

2002-02-01T09:04:00.000-08:00
Celibacy of the body produces energy that manifests in mind.
Celibacy of mind produces energy that manifests in emotions.
Celibacy of emotions manifests in the desire to create the other.
This desire is what separates us from the Real Self.

Sex energy fuels this process and continually creates the other for us to witness. Desire focuses this creative process. If desire is for no-thing, which is the natural state of the Absolute, then sex energy fertilizes that which does not yet exists. Doing is the use of the sex energy beyond desire, to expand existence.

So what then is my desire? What is the ultimate desire of the creator? It is to be able to witness his creation through the senses of the myriad parts of himself. It is to be able to hand the light to one of his messengers, who will go out and light my fire.

2002-01-30T19:33:00.000-08:00
repetition is the actor's way of reaching his audience of the many i's within.

If I were to act in harmony with all that is, I would be involved in the act of self-determination. It is self-determination that is the very basis of all activity. By all activity I am referring to the activity of that One on the stage. It is on the stage, that He makes his effort to awaken. Scenes rewritten and cues from the sidelines guide the actor to the point where he can remember himself.

The fish swimming in the stream has a warped view of his surroundings. Light is reflected back to him from the inner surface of the water. If he turns in the stream, he sees his past. The more impressions he is able to absorb, the more the stream appears to slow down. When the number of impressions approaches infinity, they are coming from all directions in time and space. He sees into the very nature of things and to their original causes from which he can infer the future. Knowing, he is able to swim in the river of time and avoid stagnant pools and waterfalls.

2002-01-30T07:56:00.000-08:00
Baa, baa black sheep have you any wool.
Yes sir, yes sir, three bags full.
One for the Father, one for the Mother and
One for the Son,
Who waits in the present,
Just down the lane.

To the tables down at Mory's
To the place where Louie dwells
To the dear old Temple bar
We love so well

Sing the Whiffenpoofs assembled
With their glasses raised on high
And the magic of their singing casts its spell
Yes, the magic of their singing
Of the songs we love so well.

Shall I wasting and Mavourneen and the rest -
We will serenade our Louie
While life and voice shall last
Then we'll pass and be forgotten with the rest.

We are poor little lambs
Who have lost our way,
Baa! Baa! Baa!

We're little black sheep
Who have gone astray,
Baa! Baa! Baa!

Gentlemen songsters off on a spree
Damned from here to eternity
God have mercy on such as we;
Baa! Baa! Baa!

See the Whiffenpoofs assembled with their glasses raised on high.
They sing with magic in their voices the songs we love so well.
We sing our songs until death and fade into the past,
Which we no longer are observing.

We are the little lost lambs who are collected by the shepherd in time.
We are they who have lost their way.
We cry Baa, the gematria of Aleph in its time container Bayt.
The few black sheep who act as no man does,
Appear to have gone astray, but in reality,
They are the sheep, who may safely graze,
Because the Shearer rejects the black wool.

The world clothes itself in wool from the common sheep.
The world counts sheep to go to sleep.
Black wool absorbs more light to build essence.
Follow the trail of the sheep who was despised and rejected,
For he is the carrier of the seed,
Down the river of time.
Consider Cain, Socrates, Galileo, Jacob and Christ.
The seed carried through time,
Passed to Judas who dies in time,
Giving birth to the unknowable.
voltara

2002-01-28T20:41:00.000-08:00
The fool is guided by trust and innocence. He has the support of the universe, for his leap into the unknown. His actions appear foolish to others and even to his own rational mind. Whatever his experience, it is already in the past and must be dropped. Dying to the past, to remain in the present, does leave you as a child. This is a difficult time and you must expect some slapping around to create resistance for growth. It is comforting to realize that what you have collected is yours and you cannot be robbed. If you don’t allow situations to corrupt your thought then there is increased integration within and your soul becomes stronger.

2002-01-28T12:54:00.000-08:00
When there is annihilation of everything capable of recurrence and if light is passed through what is left and printed on flesh, then you will have an image of who you are. If the ideal you make is infinite, the mind will eventually give up its separation from the ideal. If your ideal can be focussed on by mind, then mind will spin an infinite web enmeshing you in time. It is what passes through the mirror that finds itself in Wonderland.
voltara

2002-01-23T09:06:00.000-08:00
What an excellant idea. Actually the day is infinitely divisible, which will allow me to insert all and everything nicely into my grid. even better, I will shrink my grid to an infinitely divisible point, inscribe it all on an arrow and shoot it into the void. This should be a sacrifice most worthy.
voltara

2002-01-19T16:18:00.000-08:00
TWO FACES OF SELF OBSERVATION

There is observation of the activities of false personality or perceived self and then there is the Self observing the resistance of false personality to the manifestation of Real I.
In the first instance there is a quality of judging that is likely to creep in and cause FP to switch course endlessly to hide its activities from destruction. Since energy always goes in the direction of attention, might it not be true that FP becomes stronger? While it is true that the observer is also becoming more adept in this battle, what will happen if FP turns to face the perceived foe?
In the case where attention is focused on the resistance without the assigning of names to its manifestation, one can become aware of life in the breath eating away the resistance until it is released and the breath stops. In this state of awareness and death, where the things on stage have no names, the attention on and the direction of the ideas and memories residing in the blood, give birth in this moment of death to the manifestation of a new birth of self on a new stage. Looking in the mirror the actor sees that he mirrors no-thing and is therefore writing his own lines.
voltara

2002-01-18T12:37:00.000-08:00
Three centers there are to be sure. Where do they look in search for what is? Is it toward the idea or toward the ideal? In room 27 there is a choice. Fortunately the clues are there. Each center must learn its own direction and plot the course in which to sail. In its little container it has 6 choices, 3 lead to Hades and three lead toward the light. Of the three that lead toward light only one is pure. Two of the directions for the moving center lead in the directions for the emotional and intellectual centers, and one leads to the light peculiar to that center. It is here that we must discover the duality that controls our moving path. Are the walls of our containing prison in any way different? Hot or cold, smooth or rough, light or dark, all of these dualities are there to help us set our course.
When we have determined our course, then we must rotate the cube so that the inner face is facing in the direction of our ideal for that center. There are three centers x 6 directions. There are three ships, the Nina, the Pinta and the Santa Maria and they sail the seas on uncharted courses. The actual course, however, is always toward the ideal. It is always toward the golden city in the East where the Sun-son rises on a new world!
voltara

2002-01-18T12:35:00.000-08:00
It is with great regret that I must inform you that things are not really as they seem. The world in which you find yourselves is episode 26 of your favorite soap opera. In episode 27, all hell breaks loose. The watcher within descends the stairs and proclaims ruin. The audience, aghast, reels in disbelief. Is it really possible that everything on which they based their entire reality is in REALITY only illusion? If your heroes in the world of illusion have been your finite models for behavior, then in world of episode 27, where will your old heroes take you on their little ships? Be with me yet a time, for my questions end at dawn. Is much night to be in the cart? This brings us to the question, which way does the cart face?
Within the cube that contains reality #27, we stand on the stairs awaiting direction from without or within. Do we walk toward the dark or do we listen to the small voice within? “Go toward the light.” Do we feel the heat of the fire that will burn away our illusions, or do we turn back to be frozen in a new illusion? Do we select a known idea frozen in time or do we select that ideal that can never be known, but which lead us endlessly higher into that light which is celestial? Let the idea become the ideal!
What song do we sing? Is it the song mined from some distant cave or is it the celestial song that proclaims who we really are? Do we look out into the mirror of the world to see our worldly beauty, or do we look deeper and deeper into the depths, where our original beauty awaits revealing? A revelation to be sure!
voltara

2002-01-18T07:32:00.000-08:00
TOOTSIE'S
The image is of Tootsie descending the stairs, having realized that in her soapy reality she can only live illusion. In a flash of light she destroys the entire world she had built. Her female personna, that she wore, is shaken out of sleep. Those that she had loved most in illusion, reject this Judas who has seen and declared Christ to be who he really is. When the fog of sleep is gone and the veil falls away, friends become lovers and lovers friends. The effects of the organ Kundabuffer have been removed.
voltara

2002-01-18T06:49:00.000-08:00
When mining for gold, you usually remove it and store it for later use. If someone goes to the same mine, should you really worry that they will find your gold? After all, you already have it and it is stored waiting for Real I's next meal. The real gold that remains will be found by the next expedition, if they have cleansed their many i's.

voltara

2002-01-17T09:46:00.000-08:00

Having proclaimed myself a fallutionist, I thought it best to unwrap this idea and discover its origins. If this indeed is the raving of man #7, then in what world existent or non-existent does it have any meaning. For a man in the lower world the sound of one hand clapping or a tree falling in the forest has no discernable meaning, because he has no witness in the next world. Through the 6 exit points in his world he lets out the creation substance which coats the witness consciousness in the new world and gives it form. To discover the qualities of man #7 in his role of fallutionist is the intent of these ravings.

To discover the qualities of man #7, it is helpful to look at the geometrical seed from which his blueprint is generated, prior to being coated with subtle substances. Consider first an antenna with 7 positions place dualistically on both sides of a central point. The light emanating from these points creates 7 worlds and 7 anti-worlds. At this stage we have one point with 14 worlds lined up in a row. These are 7 worlds on either side of the Absolute. The worlds and the Absolute, are all contained in cubes. Expansion in two additional axes in the dualistic world in which this exists produces a complex cube containing 15 x 15 x 15 smaller cubes. This breaks down into 3375 cubes, which when viewed in 3 directions is seen as 10, 000 cubes interpenetrated by a complex cube of 125 smaller cubes. 125 cubes are the matrix for a man #2.

It is my present vision, that man #7 is generated from this structure, lives in a body formed from the ashes, and is coated by substance released by the ashes remaining from the destruction of all form. His body is formed around the bones remaining from the sacrifice of form. The first role of man #7 in his new appearance in world #7 may very well be that of a fallutionist, whose manifestation is yet to be witnessed and from which manifestation and witnessing will eventually emerge the true definition of a fallutionist.

>B>voltara

2002-01-17T08:59:00.000-08:00
Recurrence
The expanding sphere, the world of diffuse light, time and false personality, within its container the cube, touches the inner walls of the cube at 6 points. The inner light is thus focused at 6 points and lets out essence very slowly. Essence released in this manner contains no information or data attached to it in the form of time or duration. If false personality gets anxious the pressure increases and the points on the inner balloon flatten out into circles. Too many points escaping through this circular window results in recurrence.
voltara

2002-01-15T07:38:00.000-08:00

Naming sets the frequency of your receiver which determines the blueprint of your seed and which impressions are selected and decoded from the archives. If you are reading only the archive determined by naming, then your future or fate unfolds in response to what you absorb, from what you read or experience. If you change the name through intent and attention then you change the sower, the seed and your fate.
voltara

2002-01-14T10:38:00.000-08:00
point taken

2002-01-14T10:36:00.000-08:00
Attention on life and attention on existenceand attention on the witness of these two opposite whirlwinds. What is this all about?

voltara

2002-01-14T10:28:00.000-08:00
STONES ARE THE DEEPEST SLEEP OF ALEPH

Oh ancient sleeper in the Stone,
I shed a tear to waken thee from sleep.
Strange writings transformed in time to now.
The web parts, revealing thy tomb.
Ancient One from deepest sleep awake.
Speak to us!
Prepare us to behold and hold your beauty.
Deep within the rock, the Ancient One and I are one.
I Move!

2002-01-14T10:19:00.000-08:00
Reflections in Jeweled Eyes

The eyes, now there’s the key. Avoid looking at her appearance. It would turn us to stone and cast us back on the stage to don new garments and play the game anew. The reflections in her jeweled eyes are the mirrors of her soul. These are the eyes you must use to look back at the sleeper and awaken him. Both Medusa and the Sleeper are destroyed in the burst of light that is released to combine life and existence in a transcendent being, your true Self!

2002-01-14T07:09:00.000-08:00
In the flat circle of time you are a blueprint that is constantly being
changed. When you are satisfied with the blueprint then you are ready for
an awakening or recurrence. Orient yourself at a point facing up and down.
Push your feet down until you pop out of the circle, now push your head up
into the light. PUSH out in all directions and you have a body that has
recurred in 3 dimensions. This is probably a consciously adminstered shock.
If you can locate the one who is watching this, it is probably Real I. Now
ask for the light you need to illuminate this new world. Taking the light
in your left hand, get busy creating the world of your imagination. With
the laser like light from your right hand begin sculpting your new block of
marble.

In appreciation of the nudge from C.

Voltara

2002-01-12T12:04:00.000-08:00
OBJECTIVE CONSCIENCE
Ashiata Shiemash, [Gurdjieff’s name for Aleph as Christ], concludes that only through the regeneration of Objective Conscience can mankind be saved.
Faith, Hope and Love will not do it because they are only one polarity in a bipolar creation and therefore will not form an antenna to pull in C influences.
Morality conscience has to do with rules of conduct that can never be constructed in any way but a finite way. Externally imposed rules can never act in the moment and therefore useless in determining where to proceed and where to resist.
Conscience does not enter our everyday life because we have created conditions that only capture and embed it in the subconscious.
The duality arising from a separation between the thinking and feeling centers results in the submergence of conscience.
We are educated never to do as conscience directs, but always to follow externally imposed rules. This is where we need Gurdjieff’s direction, to never do as other men.
We have resurrected conscience, when we can feel everything around us, and indeed everything possible, at the same instant, and can make use of all of these impressions in taking a path not taken by any other man.

2002-01-12T11:40:00.000-08:00
To explore His ideas, the Absolute sends two types of fire into His creation. The first, projects ideas onto the substance of creation and the second sculpts flesh to find the inner image. In doing so, He disturbs false personality caught in its infinite web of ideas. Gurdjieff, the second focussed fire, released a swarm of termites that went about eating illusions of all his pupils. When they continued to divide ideas endlessly, he put his foot down and said the earth is enough without us. ouspensky is unique in that he magnified and dissected Gurdjieff's ideas ensuring their duration in time. To penetrate to what is, we must go back to G and burn the physical ideas to ashes on the altar of sacrifice and read the inscriptions on the remaining bones.

2002-01-11T10:34:00.000-08:00
As the bird opens his wings in flight, the energy of time is in full force over the hidden meaning of the opening of his wings,
soltara

2002-01-11T10:30:00.000-08:00
Never mind the ashes, for as the wind blows it scatters them throughout the world in preparation for a new birth.
soltara

2002-01-11T08:17:00.000-08:00
[1/11/2002 8:15:44 AM | steve learnard]
never mind the ashes, for as the wind blows it scatters them throughout the world in preparation for a new birth.

2002-01-11T08:15:00.000-08:00
never mind the ashes, for as the wind blows it scatters them throughout the world in preparation for a new birth.

2002-01-11T08:08:00.000-08:00
And behold, I will tell you a great mystery. Real I is two not one. His expanding energy creates the real world and peoples it with forms. His contracting light pierces the center and slowly wakes up his Eve. Without Eve, Real eye is right handed and can only emanate light. Eve can only receive energy until the time of conception. She has only a left hand. From conception comes the birth hour. Real I becomes two-handed, two beings as one, with two hands that are now able to Do. A new DO!

2002-01-10T06:41:00.000-08:00
The second dilemma of the Absolute is that the light he shines on his creation is reflected back with only the content that has not been absorbed by forms. What he witnesses is therefore only that which he is not. In this state He is only able to discern himself by inference. I AM NOT THAT! This is the knowledge born of separation. It is finite and can never produce perfect knowing. I must therefore enter the seed, as the sleeper in the stone. From the outside I will eternally warm the stone waiting for the birth hour. I am the eternal gardener.

2002-01-10T06:28:00.000-08:00
The dilemma of the Absolute is that if he forces too much light into the seed it will cook or become extremely upset. He must then focus the light until it penetrates through a small enough hole, so that it will only burn away small parts of the seed forming ashes out of which new forms can be added. In an organic seed, influences of higher and higher quality have been absorbed over generations and there is less to be burned away. The seed will eventually burst allowing all that it has become to emerge on a new stage. If the seed is diseased, then the focused light of its creator will destroy it mercilessly.

2002-01-09T19:53:00.000-08:00
The indivisibility of motility and mentation
This idea brings to mind a number of concepts. In the language of the fourth way we have the concept of centers. In order for centers to work properly there have to be three elements forming a dipole antenna to bring in the energy. In order to prevent crystallization, there must be an emanation of essence back to the source and a place to store creation substance to fuel the next idea. No play is of no use until it is placed on a stage with an audience to witness the performance. The critic is also an important element, for without his evaluation the play never attains perfection.

2002-01-09T19:41:00.000-08:00
[1/6/2002 12:52:37 PM | steve learnard]
The holes in the dike are now getting so large that I find it more and more difficult to regulate the flow. Current concern is for the images within images in wood. the creator and inhabitant of the garden lets new and wonderous things into her world. Beyond the garden, is the one who knows but cannot act. The cart within the garden has no driver. Knowledge holds the reins, but cannot move, for he has no cart. The two can never be as one. Does the tree that falls in the forest make a noise? For existence with life there must be a third force present. That witness-consciousness. The two can only witness in their own worlds. When head and heart become as one, knowledge takes the reins and the cart starts off!
voltara

2002-01-06T12:52:00.000-08:00
The holes in the dike are now getting so large that I find it more and more difficult to regulate the flow. Current concern is for the images within images in wood. the creator and inhabitant of the garden lets new and wonderous things into her world. Beyond the garden, is the one who knows but cannot act. The cart within the garden has no driver. Knowledge holds the reins, but cannot move, for he has no cart. The two can never be as one. Does the tree that falls in the forest make a noise? For existence with life there must be a third force present. That witness-consciousness. The two can only witness in their own worlds. When head and heart become as one, knowledge takes the reins and the cart starts off!
voltara